Since music streaming makes it easier for listeners to access music, it makes it also easier for artists to let their songs be heard many across the globe, whether they buy plays or not. Aside from it being a form of art and entertainment, music has been an avenue for many artists to voice out and communicate their thoughts and sentiments on various issues, such as environmentalism.
Environmentalism In Music
Music has an inclination to the idea of nature and environment for nearly its whole history, however for the previous decades music artists have started exploring a particular aspect encompassing nature – its conservation and preservation. After increasing concerns on the misuse and abuse of natural reserves and resources, a lot of popular music has in the same way viewed the theme or leitmotif of environmentalism get into the front of musical topics. However, musical environmentalism hasn’t remained the same. The manner on how musicians have tackled the topic has changed in line with several political focuses as well as attitudes throughout the decades.
If voicing admiration and respect for nature is regarded as environmentalism, there are myriad examples which are much older than anything from the previous eras, such as the brilliant and famous “Four Seasons” by Vivaldi and those of the ancient Egyptians who give veneration to numerous gods. However with regards to latest history, it wasn’t up until the 1960s social movements that music artists produced an extensively distinguishable political sidle to popular music, directing this comprehensive artistic love of environment and nature into a conclusive, defiant and bold rallying cry.
Although not yet quite as dreadful as the phenomena of climate change such as global warming, the greenhouse effect, as well as melting ice caps, society during the 1950s and 1960s had its particular apocalyptic concerns to deal with, with the fear of nuclear obliteration quite literally trickled into the topic of environmentalism. Because of nuclear testing, residues of radioactive isotope of Strontium 90 made it into the waters and air, it brought about the songs such as of Malvina Reynolds’ “What Have They Done to the Rain” as well as Pete Seeger’s “Mack the Bomb.”
As time has gone by, music artists took a new direction into a range of various environmental concerns, since being political was cool. Even the carefree Beach Boys, following years of lionizing California beaches, made a decision to launch their “Surf’s Up” album in 1971 containing the song “Don’t Go Near the Water,” a song regarding the waterways being contaminated and polluted by chemicals.
Another is the song entitled “Big Yellow Taxi” by Joni Mitchell where it in particular suggested the increasing craze of juxtaposing aspects of nature and the environment to consumerism signifiers, which then became very widespread in the 1980s, the period frequently remembered for its indulgence and extravagance in materialism and consumerism.